WELCOME to XII. International Johann-Matthias-Sperger-competition 2026 from 31st of May - 7th of June 2026 in Berlin-Grunewald-Germany

Application for Competition You can post with download COMPETITION FORM in PDF formats, and with Your data send back to our email info@spergersociety.com as soon as possible.

Note: The form is interactive, but can only be filled out reliably on a computer
or in a PDF app (e.g. Adobe Acrobat Reader).
On a smartphone:
Please open the PDF in a PDF app after downloading it.

With Program Listing, which is on separate page, You can see what scores You need and where can be for download.

Also this PROGRAM listing can download from HERE

PROGRAMM/program

1. Runde/first round

  • J. M. Sperger: 2 unterschiedliche Sätze dieser Sonaten: D-Dur (T38), D-Dur (T39)/One of this sonatas (2 diff. movements) *1, *2
  • Pflichtstück für Kontrabass Solo von Boguslaw Furtok, in Auftrag gegeben für den Wettbewerb/Compulsory piece fordouble bass solo by Boguslaw Furtok commissioned for the *3
  • Zwei unterschiedliche Sätze aus einem Konzert oder größerem Werk des 19. oder 20. Jahrhunderts (keine Transkriptionen)/Two different movements from aconcerto or other work 19. or 20. century (no transcriptions) *4J

2. Runde/second round

  • J. S. Bach: Gamben-Sonate g-Moll BWV 1029, 2 Sätze nach eigener Wahl/Two movements of your own choice *4
  • Ein Werk virtuosen Charakters (Dauer 5-8 , keine Transkriptionen)/A virtuoso work (original for Double Bass and Piano, 5-8 min.) *4
  • Eines der folgenden Werke für Kontrabass solo/One of the following pieces for Double Bass solo:
  • Miloslav Gajdos: Invocation (*5) (required Sperger 2002)
  • Arni Egilsson: European Memories (*5) (required Sperger 2010)
  • Stefan Schäfer: „Geh“ (*5) (required Sperger 2004).
  • François Zbinden: Hommage à J. S. Bach op. 44 (*4)
  • Petr Vasks: Bass Trip (*7)
  • Knut Güttler: Greensleeves (*4)
  • Giorgi Makhoshvili: Regreps (*5) (required Sperger 2014)
  • Goran Kostic: Suite im alten Stil (*9)
  • Petru Iuga: Caprice Roumain Op. 1 (*10

3. Runde/third round (Finalrunde mit Orchester/final round with orchestra)

Angaben zu den Ausgaben/editions

  • Johann Matthias Sperger: Konzert Nr.8 (*6) oder/or
  • Johann MatthiasSperger: Konzert Nr.11 (T11) (*8)

Es ist möglich auch in Wiener Stimmung zu spielen/It is possible to play in Viennese tuning

*1 = Sperger-Sonaten: nach eigener Wahl/of your own choice

D-Dur (T38) – Hofmeister-Musikverlag Leipzig Best.-Nr.: FH 2739 D-Dur (T39)  – Hofmeister-Musikverlag Leipzig Best.-Nr.: FH 2689

*2 = Sonderpreis der Sperger-Gesellschaft/special prize of the Sperger Society

*3 = Wird nach Anmeldung 6 Wochen vor Wettbewerbsbeginn zugeschickt/Will be sent 6 weeks before the competition

*4 = Ausgaben nach eigener Wahl/Editions of your own choice

*5 = Hofmeister-Musikverlag Leipzig (Edition Hofmeister Leipzig) www.hofmeister-musikverlag.com

*6 = IKURO-edition www.ikuroedition.dedownload (solo+piano)

*7 = Edition Peters

*8 =  download (solo+piano)

*9 =  altbass01@gmail.com

*10 =  https://stringvirtuoso.com/products/iuga-capriciu-romanesc-petru-iuga-pdf-sheet-music   

Die letzte Runde muss auswendig gespielt werden/Last round to be played by heart.
Man kann aus Noten spielen - aber nur aus Originalen, nicht aus Kopien!/You can play from sheet music - but only from originals, not from copies!
Altersgrenze/age limit : 35! On the 31st of May 2026.

PREISE/prizes

Thanks to our kind sponsors, a rich fund for prizes has been made possible.

FIRST PRIZE

5.000 EU from Oscar und Vera Ritter-Stiftung

and two years rental of a bass made by luthier

„S.J. Krattenmacher“

SECOND PRIZE

3.500 EU from Oscar und Vera Ritter-Stiftung

THIRD PRIZE

1.500 EU from Artem Chirkov

OTHER PRIZES

One master bow (french or german model) made by Michael Dölling.

300 EU for the best interpretation of a Sperger Sonata

300 EU for the best interpretation of „European Memories“ by Arni Egilsson

300 eur for the best interpretation of „Caprice Roumain“ by Petru Iuga

300 eur for the best interpretation of „Präludium und Allemande“ by Goran Kostić

SUPPORT TEAM

Piano Accompanists

We have the pleasure and great luck to have the two wonderful pianists Zsuzsa Balint and Tomoko Takahashi as accompanists for the competition! 

Zsuzsa Balint
Tomoko Takahashi

Conductor for the Final LEON BOSCH

We have the pleasure and honor the have Leon Bosch as conductor for the final! 

Leon Bosch conducts chamber and symphonic ensembles around the world and is one of the few double bass players to direct concertos from the instrument.

Having worked with the finest conductors for 30 years as a member of groups such as the Academy of St Martin in the Fields, Philharmonia and Hallé, he learnt the repertoire and conductor’s craft from inside the orchestra, and finally made the transition to the podium in 2015, when he left Academy of St Martin in the Fields and went to study in St Petersburg with Alexander Polishchuk. Since then he has conducted orchestras across the UK, Europe, India, South Africa and Mozambique.

During his playing career, he performed concertos around the world and served as a guest with ensembles such as the Lindsays, Brodsky Quartet and Zukerman Chamber Players.

Leon is committed to rediscovering neglected music, as well as expanding and diversifying the double bass repertoire, and has recorded 16 CDs of wide-ranging programmes, with more in planning.

Throughout his career he has worked with leading composers, and his latest project is to revive the sonatina form for a programme he will tour and record for Meridian Records in 2021. He also commissions chamber arrangements of well-known symphonic classics for his ensemble I Musicanti, and set up I Musicanti Publishing in order to distribute these works.

He is professor of double bass at Trinity Laban Conservatoire of Music and Dance in London and gives masterclasses in the US, Europe, South Africa and the Far East. He has also served as double bass coach for youth orchestras including the I, Culture Orchestra, National Youth String Orchestra, Miagi Orchestra and Buskaid. He has contributed to programmes on BBC Radio 3 and 4 and written for The Strad and Classical Music magazines.

Leon grew up in South Africa, the son of the political activist Jonas Fred Bosch, and spent time in a police cell for organising protests while at school. He left the apartheid regime behind to study at the Royal Northern College of Music in Manchester.

He became a British citizen in 2000. In recent years he has returned to his roots, musically, forming the Ubuntu Ensemble with other UK-based South African musicians, and commissioning music for the South African Double Bass project, the first CD of which was released in 2020. He also acts as a mentor for South African musicians worldwide.

Away from music, he runs marathons and ultra-marathons and holds a Master’s degree in Intelligence and International Relations from Salford University.

Double Bass Virtuoso

As a double bass soloist, Leon Bosch has performed concertos across the world and recorded 15 solo CDs, with varied programmes ranging from Hungarian, Russian and British repertoire to explorations of composers such as von Dittersdorf, Valls and Cervera-Bret.

He is also a champion of new music and is working with today’s leading composers to establish a diverse body of repertoire for the instrument.

In recent years he has returned to his roots with a project to commission South African composers. The first CD, The South African Double Bass, came out in February 2020 and Leon will tour its repertoire in 2021.

In 2020 he also embarked on a project to revive the sonatina, commissioning seven British composers to interpret the form for double bass. The first to be completed is Lockdown Dialogues, a sonatina for socially distanced double bass and piano by Geoffrey Poole. Leon will tour the repertoire in 2021 and record it for Meridian Records.

 

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